Ask Our Lord for Help and Trust

Ask Our Lord for Help and Trust

“Oh man of little faith, why did you doubt?”

In the June, 2017 edition of the Christian Century magazine, in his article entitled The Temporary Gift of Marriage, Craig Barnes writes: It was the pastor’s last marriage prep meeting with Mike and Sue before their wedding. They had completed all the preparation work on the sacramental dimensions and practical issues of their new life together. Now all that was left was to finalize the wedding cer­emony. As they were about to review the proposed liturgy that the pastor had drafted, Mike said, “Before we get into this, I have to say I’m really sacred.”

Seeing his fiancée’s stunned, pained expression, he said quickly, “Oh, I’m not afraid of marrying you, Sue. I’m just terrified of losing you.” Then he looked back at the pastor and explained, “Several years ago, my mother died, and it almost killed me.” Turning back to his fiancée, Mike continued, “What if something happens to you too? I can’t imagine how I would survive.”

The pastor wanted to say something like, Oh, Mike, don’t worry about that. You’re both young and there are so many wonderful years ahead for both of you. But he had buried too many young people to say that. So, as compassionately as possible, he said, “In my experience 100 percent of all marriages eventually come to an end, and you’ll never beat those odds”. Continue reading

Keep Eyes Fixed on the Final Goal

Keep Eyes Fixed on the Final Goal

“Tell no one of this vision, until the son of man is raised from the dead.”

The late Itzhak Perlman was one of the great virtuoso violinists of the 20th century. Stricken with polio as a child, he wore large braces on both legs and maneuvered with the aid of two crutches.

Seeing him take the stage was an inspiring sight: painfully and slowly, but majestically and confidently, he would make his way to his chair. Then he would carefully lower himself into his chair, place his crutches on the floor, unfasten the braces on his legs, and tuck one foot back and extend the other foot forward; he would then bend down and pick up his violin, arrange it un­der his chin, and then nod to the conductor. It was a ritual that his audiences had come to respect and admire.

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